The Various Semiotics of Hussaini Lamentations in the Andalusi Poetry.

Authors

  • أناهيد عبد الأمير الركابي, أ.م.د College of Education / University of Mustansiriyah
  • مرتضى كمال حريجه, م.د College of Education / University of Mustansiriyah

DOI:

https://doi.org/10.33282/abaa.v8i33%20-%2034.142

Keywords:

The Various Semiotics, Hussaini Lamentations, the Andalusi Poetry.

Abstract

The killing of Imam Hussein (AS) and his family and his companions is a big tragedy that has sustained Islam and Muslims has remained generations Islamic considers the death of Hussein (AS) of the major calamities and pays homage to the memory of grief and mourning . The taking Shiite poets their active role in the perpetuation of this painful anniversary taken by the Shiites that way to stimulate and stir up emotions against the killers of Ahl al-Bayt ( peace be upon them ) has not missed poets of Andalusia and Shiites from this Wave Shiite overwhelming Vahioa anniversary and Ozvoha best recruit barely era of eras Andalusian literature but was Hussein certificate ( AS) on the tenth of Muharram day Consolation year held the celebrations memorial to commemorate this sad anniversary , and after reading the collections of the Andalusian poets who spotted this tragedy and through us with his poetry about Astoagaftna prominent phenomenon in poetry about a phenomenon that color and prominence in the poem Hosseinieh Votherna title should be ( semiotics of color ) because it is roomy world of connotations and perceptions and metaphors that invite us to meditate on its symbolism and its dimensions , what is no doubt that there Tlazmih between the science of reference and the significance of the color relationship , especially if we know that each color in the incident tuff property Alamah semiotics and symbolism and Knaiah subject for use in this incident. White Fallon , for example, symbolizes the reality tuff to purity and purity, may be a sign of death , while we find that the black color symbolizes the sadness and death that represents his death and his companions and his household (AS) and blue fulfillment ( the fulfillment of his brother Abbas “ p” )
And yellow slag ( slag increases and his followers and the Red pure blood ( blood , “ peace be upon them “ ) and other symbols and connotations and Alknaiaat that by employing conclude a number of dimensions derived from the Semiotics of color in this incident , which is Pmaaota .
A social dimension and of evoking the black color and emphasized in the rejection of the policy stance increases and his followers.
(B) Psychological dimension: evoke black refer directly to the white color that indicates the desire for freedom and innocence and purity.
T the existential dimension: describe the state of alienation and loss and wandering and dreams aborted and freedom Moadh as absorbed with colors conjured up in an incident tuff bilateral life and death and the tyranny of death on the death of a human world of life.
All of this will come on detailed in this research, which divided by the two major issues:
A. The first axis:
semiotic direct colors.
(B) The second axis: semiotic colors indirect.
Then it includes the most important conclusion, our findings and Mazan most important sources and references.

References

المختص : ابن سيده : 2/105.
ينظر : الملمع ابو علي الحسين الطبري /1.
ينظر : الألوان نظرياً وعملياً.
سايكولوجية ادراك اللوان والشكل :11.
اللون في الشعر العربي القديم : د. زينب عبد العزيز العمري : 11.
معجم الالوان والمسميات المرتبطة به ، سليمان بن علي النعيمي ، د.ط ، السعودية ، 1420ه : 62.
ديوان أبن هاني : 294.
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م.ن : 94.
زواهر الفكر وجواهر الفقر : 3/3 ، 5 – 504.
معجم الأللوان : 71.
ديوان ابن هاني : 292.
معجم الألوان : 88.
شعر أبن جبير : 64.
ديوان أبن هاني : 62.
اديب الاندلس ابو بحر التجيبي ، عمر قصير وعطاء غزير : 123 ، ط1 ، 1999.
نفح الطيب : 7 / 337.
م .ن ، والصفحة.
ديوان ابن دراج : 76 -77 ,
ديوان ابن دراج : 78.
ديوان ابن دراج : 76.
معجم الالوان : 148.
المورد الثلاثي روحي البعلبكي ، ط1 ، دار العلم للملايين ، بيروت ، 2004.
ديوان أن هانئ : 38-39.
شعر أبن جبير : 64.
معجم الالوان : 148.
ديوان ابن هانىء : 292.
معجم الالوان : 148.
ديوان أبن هانئ : 38.
زواهر الفكر وجواهر الفقر: 3.
الذيل والتكملة : 8/2.
معجم الالوان : 168.
معجم الالوان : 74-75.
المورد الثلاثي : 65.
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ديوان ابن دراج : 78.
قاموس المعني : مادة غيهب.
اديب الاندلس ابو بحر التجيبي : 94. 39. معجم الالوان : 168.

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Published

2016-07-01

How to Cite

عبد الأمير الركابي أ., & حريجه م. ك. (2016). The Various Semiotics of Hussaini Lamentations in the Andalusi Poetry. ALBAHITH ALALAMI, 8(3334), 131-142. https://doi.org/10.33282/abaa.v8i33 - 34.142

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